5 Simple Mistakes
Documentary Filmmakers Make
1) Not asking a question
or choosing a theme
I think the biggest mistake people
make is going ahead with making a documentary just on the basis that they have
found a subject that interests them. This can sometimes result in a great film,
but rarely. A documentary has to ask a question or have a big theme. By “big
theme” I don’t mean it’s got to be worthy – another documentary no-no that I’ll
get to later—I just mean its got to have a driving force of some sort. Before
filming, ask yourself, what question am I asking and how does this film express
my worldview?
2) Choosing a
‘worthy’ subject
People who decide to go off and make a documentary on the
basis that the subject is ‘worthy’ get themselves into a tricky spot. You might
find that a righteous topic is so widely researched that there aren’t many new
upheavals to make. You also might find that the footage doesn’t create an
entertaining feature. Interesting, worthy documentaries might work for a TV
insert or news piece but are unlikely to make a great film.
3) Using poor technique
to recreate events
When watching TV documentaries, one of my biggest Room
101s is when directors try to portray a past event by going all low-resolution
and throwing the camera around or wheeling in bad actors and making them go out
of focus. There’s more to drama reconstruction than the blurry, home movie
look.
For great drama reconstruction watch Man On Wire (which
also benefits from some extraordinary archive film footage).
4) Using bad music
The soundtrack of your documentary can really make or
break its mood. Don’t trust the guy that you just met who offers to write an
entire score for your film. You, the director, should have your own strong
ideas of how the music will function in the film. From there, it’s your
responsibility to choose the right person for the job, someone who understands
your ideas and has the knowledge and talent to make those ideas come to life.
5) Filming without a
vision
At the end of a day a great documentary has to have a
strong vision, and that vision informs every creative and editorial step along
the way. Like mentioned before, your music guy has to share your vision; so
does everyone else in the process. Only when everyone is on the same page can
the documentary achieve its intended goals.
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